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b. 173
|
composition: Op. 2, Variations, complete
..
Chopin added the mordent over the 1st note while proofreading FE. An ornament – category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
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b. 173
|
composition: Op. 2, Variations, complete
..
In the manuscripts there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 173
|
composition: Op. 12, Variations in B♭ major
..
The FE version (→EE) is most probably wrong, since this and half of the next bar are a repetition of a respective fragment from bars 169-170, changed in terms of articulation. The sharp added in GE could be coming from Chopin, although such a change could have also been introduced by the reviser, on the basis of the analogy described above. category imprint: Differences between sources issues: Errors in FE , GE revisions , Authentic corrections of GE , Errors repeated in EE |
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b. 173
|
composition: Op. 12, Variations in B♭ major
..
In the main text we add a cautionary category imprint: Editorial revisions |
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b. 174
|
composition: Op. 43, Tarantella
..
In A, FC3 and GE1 on the first quaver in RH there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: GE revisions , Errors of A |
in 
, which is often tantamount to 
restoring e
2 at the end of the bar. Chopin's oversight was already corrected in 
2 in 
3. It was added in 
was arbitrarily added.