b. 232
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composition: Op. 11, Concerto in E minor, Mvt III
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We add a cautionary before a2 in the main text. The accidental was added already in GE and EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 232
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composition: Op. 16, Rondo in E♭ major
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We add a cautionary before c4 in the main text. category imprint: Editorial revisions |
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b. 232
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composition: Op. 22, Polonaise
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The flat restoring b2 at the beginning of the last triplet does not appear in any of the sources. It seems that it was believed that the before b3 four semiquavers earlier was not a cautionary accidental only and that it was also valid in the case of the discussed note. The same in b. 252. category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in FE , Omissions to cancel alteration , Errors repeated in GE , Errors repeated in EE |
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b. 232-235
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the R.H. part includes only the top voice melody; moreover, it differs from the final version in two places:
There are also minor rhythmic differences – see b. 220-242. category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Main-line changes |
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b. 232-235
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the form of the accompaniment is much simpler. In b. 232-233 it consists of two crotchets (bass and chord) and rests. In b. 234-235 there are crotchets only following the bass-chord-chord scheme, whereby both bars are almost exclusively based on a B major chord (it is only on the 3rd beat of b. 234 that an E major chord appears). category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes |