



b. 172-173
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composition: Op. 49, Fantaisie in F minor
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In A (→GE) and FE there are no flats to the 2nd quaver in each of these bars. Chopin's patent oversight – flats are written next to the g category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Omission of current key accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE |
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b. 172
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composition: Op. 49, Fantaisie in F minor
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Chopin almost certainly added category imprint: Differences between sources |
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b. 172-177
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composition: Op. 49, Fantaisie in F minor
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The L.H. slurs in bars 172-173 and 176-177 were added – almost certainly by Chopin – at the stage of proofreading FE1 or earlier to [FC]. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 172
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composition: Op. 12, Variations in B♭ major
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In FE the category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals |
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b. 172-174
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composition: (Op. 4), Sonata in C minor, Mvt I
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Leaving analogous R.H. quaver figures without slurs in bar 172 and 174 seems to have been intended by Chopin, hence in the main text we keep this notation. However, an oversight cannot be completely ruled out, hence the version of the editions featuring slurs can be considered an acceptable variant. category imprint: Differences between sources issues: GE revisions |