b. 210-211
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composition: Op. 19, Bolero
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We suggest adding a hairpin, as it is in analogous bars 92-93. The mark was added, most probably by comparison with those bars, by the reviser of EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 210
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composition: Op. 11, Concerto in E minor, Mvt I
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Changing the accent's font to vertical is a characteristic manner of the engravers of EE. category imprint: Differences between sources issues: EE revisions |
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b. 210-211
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composition: Op. 16, Rondo in E♭ major
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We suggest adding a patterned after analogous bars 206-207. A marking, slightly shorter, was also added by the reviser of EE2 (→EE3). category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 210-214
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composition: Op. 44, Polonaise in F♯ minor
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Chopin could have added the staccato dots to [A] (→GE) after [FC], on which FE (→EE) was based, had already been finished. As was the case with b. 190-195, the difference has no impact on the performance, while in the main text we give the more accurate notation of GE. category imprint: Differences between sources |
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b. 210
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composition: Op. 44, Polonaise in F♯ minor
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In FE1 the to the bottom note of the 2nd quaver is missing. The patent oversight was corrected both in FE2 and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , FE revisions |