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b. 158

composition: Op. 2, Variations, complete

Chord with e1 in AsI

Chord without e1 in A (→GEFE,EE,FESB)

..

The version of AsI with two identical chords on the 2nd and 3rd quavers in the bar must be earlier. In the main text we give a chord without e1 written in A (→GEFE,EE,FESB) as the 3rd quaver of the alternative L.H. part.

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes

b. 158

composition: Op. 2, Variations, complete

Arpeggio sign in AsI

No sign in A (→GEFE,EE,FESB)

..

The AsI arpeggio may be considered an equal variant – it cannot be ruled out that Chopin did not write it in A, since he considered arpeggios on tenth chords to be natural and did not care for marking them. Of course, a differentiated performance of such chords, strictly according to the notation, is to be regarded as the principal option.

category imprint: Differences between sources

b. 158

composition: (Op. 4), Sonata in C minor, Mvt I

Slur in A, literal reading

Slur in GE (→FE,EE,IE)

Slur suggested by the editors

..

The beginning of the slur must be inaccurate in A; however, it is uncertain whether Chopin wanted the ending of the slur to encompass the B1-B crotchet. In the main text we provide a slur reaching this octave, assuming that both endings of the slur are similarly inaccurate in A (too short). However, the version of the editions can be considered an equally valid interpretation of this slur.

category imprint: Graphic ambiguousness

issues: Inaccurate slurs in A

b. 158

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In EE1 there is a  to the last L.H. quaver, instead of a . The mistake was rectified in EE2.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 159

composition: Op. 43, Tarantella

..

We add cautionary  lowering dto din RH. A similar correction was made in EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions