b. 209-211
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add a slur in the L.H. after the reconstructed slur in A in bars 205-207. EE also added a slur, based on the erroneous slur of the R.H. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 209-234
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the pedalling entered by Chopin into FC (→GE). It is only b. 225-226 that we discuss separately, in which the composer probably wrote a superfluous pedal change. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
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b. 209-212
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composition: Op. 31, Scherzo in B♭ minor
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We give the dashes marking the range of cresc. from b. 203 after the Chopinesque entry in FC. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions , Authentic corrections of FC |
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b. 209
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we add a long accent after the authentic marks in analogous b. 69 & 77 and b. 201. The addition was also performed in GE2 (→GE3), in the form of a short accent. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Omitted correction of an analogous place |
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b. 209
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composition: Op. 31, Scherzo in B♭ minor
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A is missing the raising g2 to g2. The patent inaccuracy was corrected both in FC (→GE) and FE (→EE). It is difficult to say conclusively who entered the into FC, Chopin or Fontana. In turn, a diagonal cross, in pencil, visible in this place in A means that the missing mark was already noticed by the engraver of FE, as long as the mark comes from the time the Scherzo was published. category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , FE revisions , Fontana's revisions |