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b. 151

composition: Op. 43, Tarantella

 
 
..

In GE1 crotchet d1 in the midle voice is not dotted and there is nor rest.

We add cautionary  diminishing d1 to d1. Similar addition was made in EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Inaccuracies in GE

b. 151

composition: Op. 43, Tarantella

 
 
..

In all sources except EE the first beat of the bar in LH is a crotchet chord. In EE we have here dotted crotchets.

category imprint: Differences between sources

issues: EE revisions

b. 151

composition: Op. 43, Tarantella

A contextual interpretation
 

A literal reading
..

In A octave e-e in the second half of bars 151, 155 and 159 in LH is a crotchet without augmentation dots or rests. It seems more correct to complete the rhythm with a rest, as Chopin notated it in corresponding b. 163. Augmentation dots in the discussed bars in FC3 (→FE→IE), GE and EE were most  probably added by the copyist. Compare annotation in b. 4.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

b. 151

composition: Op. 38, Ballade in F major

No marking in sources

[] suggested by the editors
..

By analogy to bars 141, 145, 149 we also suggest a  here.

category imprint: Editorial revisions

b. 151

composition: Op. 38, Ballade in F major

No sign in A (→EE,GC→GE1)

in FE & GE2 (→GE3)
..

The lack of dynamic marking in A (→EE,GC→GE1) could result from distraction (or lack of space) connected with the correction. In FE and GE2 (→GE3) a  was added, most likely by analogy to bars 141, 143, 147 and 149.

category imprint: Differences between sources

issues: Errors resulting from corrections , Authentic corrections of FE , FE revisions