Issues : Abbreviated notation of A
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b. 70-88
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composition: Op. 28 No. 15, Prelude in D♭ major
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Some four-quaver groups of repeating notes are written down in the sources as minims marked with a quaver tremolo. Such a notation is in A (→FC→GE) in b. 70, 72-74 and 85-88 and in the 2nd halves of b. 71 and 84 and the 1st half of b. 75. In FE (→EE) the abridged notation was kept only in b. 70. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 71-85
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In A bars 71-85 are written in an abbreviated manner as numbered (1-15) empty bars, corresponding to repeated bars 39-53. Due to this reason, all differences in the editions between analogous places of both groups of bars are almost certainly incompatible with Chopin's intention and they result from inaccuracies of his corrections or oversights of the engravers. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 73-74
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composition: Op. 10 No 3, Etude in E major
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In AI, bar 74 is not written out – bar 73 is provided with a 'bis' indication, meaning its double performance followed by bar 75. It slightly complicates the task to determine Chopin's intention concerning, e.g., arrangement of the dim. indication. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 75-78
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composition: Op. 25 No 11, Etude in A minor
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In GC bars 75-78 are not written out with notes, yet briefly marked as repetition of bars 11-14. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 76
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the quavers in the middle voice are written as a quaver tremolando. category imprint: Differences between sources issues: Abbreviated notation of A |