b. 124-126
|
composition: Op. 11, Concerto in E minor, Mvt III
..
The slur in FE was added probably in the last phase of proofreading; hence it is absent in GE1 (→GE2). It is indicated by the shape of the slur, adjusted to the already existing elements of notation with difficulty. The slur was added in GE3 (also in the L.H.). category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
||||||||
b. 124-126
|
composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources issues: GE revisions |
||||||||
b. 124
|
composition: Op. 11, Concerto in E minor, Mvt III
..
Initially, FEH copied the 4th finger for the 1st semiquaver in bar 124, which was then changed to the 5th one, which distinguished that fingering from the one given by Fontana in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |
||||||||
b. 124-125
|
composition: Op. 11, Concerto in E minor, Mvt III category imprint: Differences between sources |
||||||||
b. 124-125
|
composition: Op. 38, Ballade in F major
..
The lack of hairpin is most probably an oversight by the engraver of FE. The much shorter sign in EE is likely inaccurate. category imprint: Differences between sources issues: Errors in FE , Scope of dynamic hairpins , EE inaccuracies |