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b. 124-126

composition: Op. 11, Concerto in E minor, Mvt III

Slur in FE (→EE) & GE3

No slur in GE1 (→GE2)

..

The slur in FE was added probably in the last phase of proofreading; hence it is absent in GE1 (→GE2). It is indicated by the shape of the slur, adjusted to the already existing elements of notation with difficulty. The slur was added in GE3 (also in the L.H.).

category imprint: Differences between sources

issues: GE revisions , Authentic corrections of FE

b. 124-126

composition: Op. 11, Concerto in E minor, Mvt III

No L.H. slur in FE (→EE,GE1GE2)

Slur in GE3

..

Like 4 bars earlier, the slur in the L.H. added in GE3 seems to be justified yet unnecessary. 

category imprint: Differences between sources

issues: GE revisions

b. 124

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

Initially, FEH copied the 4th finger for the 1st semiquaver in bar 124, which was then changed to the 5th one, which distinguished that fingering from the one given by Fontana in EE.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH

b. 124-125

composition: Op. 11, Concerto in E minor, Mvt III

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 124-125

composition: Op. 38, Ballade in F major

 in A (→GCGE)

No sign in FE

in EE

..

The lack of  hairpin is most probably an oversight by the engraver of FE. The much shorter sign in EE is likely inaccurate.

category imprint: Differences between sources

issues: Errors in FE , Scope of dynamic hairpins , EE inaccuracies