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b. 5

composition: Op. 28 No. 12, Prelude in G♯ minor

..

FE1 has no  before the 2nd L.H. crotchet. The mistake was corrected in FE2 (→EE).

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , FE revisions

b. 5

composition: Op. 23, Ballade in G minor

..

We add cautionary naturals before f1 and f2 in the main text.

category imprint: Editorial revisions

b. 5

composition: Op. 2, Variations, complete

  in A, contextual interpretation

  in GE (→FE,FESB)

  in EE
..

In A, the pair of dynamic hairpins was written as close as possible to the top voice so that it was clear that it concerned this very voice; the slightly shortened  mark is a result of lack of space. For reasons of clarity, in the main text we move the marks over the stave. In GE (→FE,FESB) the  mark was prolonged, which could be considered acceptable; however, as a consequence, the mark seems to concern the R.H. bottom voice too, which is exactly what Chopin wanted to avoid in A. In the version of EE, the original notation is distorted even more (due to lack of access to A).

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE , Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in A

b. 5-6

composition: Op. 2, Variations, complete

 in A, contextual interpretation

in GE (→FE)

in EE

in FESB
..

In A, the short  mark is placed in b. 6; however, since it reaches only the 1st crotchet in that bar, it is obvious that it concerns the f1-g1 step between the bars, which we give in the main text. The versions of editions are based on the interpretation of that mark performed by GE1, in which its right-hand ending is led to the 2nd beat of the bar, which has no basis in the notation of A. In spite of minor differences in the range of the marks in the editions, we regard them as different, since each may suggest a slightly different beginning or ending of the crescendo, while the mark in FESB actually resembles a reversed accent.

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in A

b. 5

composition: Op. 63 No. 1, Mazurka in B major

e1-g1 third in AI

Only g1 in FE (→GE,EE)

Our variant suggestion
..

The missing e1 note in the R.H. in FE (→GE,EE) seems to be an oversight by the engraver, since analogous motifs are generally led in thirds.

category imprint: Differences between sources

issues: Errors in FE , Errors repeated in GE , Errors repeated in EE