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b. 5

composition: Op. 25 No 11, Etude in A minor

..

In EE there is no  returning d4 at the beginning of the 2nd group of semiquavers. This rather obvious error remained unnoticed by the revisers of EE and was never corrected. According to us, it is possible that it was the copyist writing the base text to EE that committed the mistake, as in analogous bar 69, which was marked as repetition of bar 1 in the manuscripts, a respective  was probably added in EE in print. 

category imprint: Differences between sources

issues: Errors in EE

b. 5

composition: Op. 25 No 11, Etude in A minor

..

EE1 has an erroneous das the 4th semiquaver of the 2nd half of the bar. The mistake was corrected in the subsequent EE.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 5

composition: Op. 25 No 11, Etude in A minor

..

In EE1 there is no pedal release sign. The oversight – probably of the copyist performing the base text, as the sign is also absent in bar 69 – was corrected in EE2 (→EE3). Cf. one of the previous notes in this bar.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 5

composition: Op. 25 No 11, Etude in A minor

..

The Allegro con brio indication in GC is written with Chopin's hand. It can also be seen that Chopin deleted Allegro molto con fuoco written by the copyist. In this case the composer ensured that the final version is in all sources.

category imprint: Corrections & alterations; Source & stylistic information

issues: Authentic corrections in GC

b. 5

composition: Op. 25 No 11, Etude in A minor

Fingering (13 digits) in GC (→GE)

Fingering (20 digits) in FE

Fingering (21 digits) in EE

..

The clearly smaller number of fingering numerals in GC (→GE) is probably the original version, completed by Chopin in the base texts to FE and EE. In the main text we give the most accurate indications, included in EE.

category imprint: Differences between sources