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b. 4
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composition: Op. 10 No 9, Etude in F minor
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Omission of category imprint: Differences between sources issues: Errors in FE |
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b. 4
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composition: Op. 10 No 8, Etude in F major
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In GE the d note was provided with a wedge, probably by analogy to bar 2. category imprint: Differences between sources issues: GE revisions |
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b. 4-6
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composition: Op. 10 No 8, Etude in F major
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In the main text we give the fingering of the L.H., written by Chopin in A. In FE (→GE) the '3' digit was overlooked in bar 5, which is almost certainly an oversight. In EE Fontana completed the fingering at the beginning of bar 5, adding digits for each note. EE3 erroneously features '2' as the 1st digit in bar 4 (it may be a mistake related to the transcription of the "continental" fingering system to the "British" one – cf. General Editorial Principles, p. 10). category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Errors in EE |
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b. 4-8
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composition: Op. 10 No 8, Etude in F major
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Two digits written in A in bar 4 are generally enough to decipher Chopin's fingering in bars 1-8. While proofreading FE (→GE,EE), Chopin completed the hints so that each of the finger arrangements used in these bars included the written out precise fingering at least once. We give this fingering in the main text. In EE, Fontana additionally expanded the indications drawn from FE. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 4-8
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composition: Op. 10 No 8, Etude in F major
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In A it can be seen that the crotchets in the middle of bars 4 (g) and 8 (f) were originally written as quavers after which relevant rests would follow. category imprint: Corrections & alterations issues: Corrections in A |