Issues : Cautionary accidentals
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b. 558-560
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE1), there are no cautionary naturals before c3 in bar 558 and a2 in bar 560. The accidentals were added in GE and EE2 (before a2) and EE3 (both). In turn, in all sources, there is a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 562
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composition: Op. 11, Concerto in E minor, Mvt I
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The majority of the sources include naturals before the b1 and b2 notes. It is difficult to say what made Chopin write them – the only alteration in the vicinity of those notes is b category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 564
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE1), there are 4 cautionary accidentals in this bar: naturals before g3, b2 and e2 as well as a category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 565
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there are cautionary naturals before d2 and b2 – both unjustified. In GE, naturals were added before a1 and e3, while in EE1 – before a2. In EE2 (→EE3), the version of EE1 was completed with both naturals added in GE, most probably after a comparison with GE1 or GE2. In the main text, we omit the naturals present in FE; in turn, we include all the remaining ones. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 566
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a cautionary category imprint: Editorial revisions; Source & stylistic information issues: Cautionary accidentals |
before c2 at the beginning of bar 559, which we omit in the main text.
1(2) in the next figure. The superfluous accidentals were removed in 
before f
3. In