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Issues : Terzverschreibung error
b. 31-32
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composition: Op. 10 No 9, Etude in F minor
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In both bars AI features a category imprint: Differences between sources issues: Terzverschreibung error , Errors in the number of ledger lines |
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b. 31
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composition: Op. 28 No. 24, Prelude in D minor
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The absence of visible corrections in FC proves Fontana's mistake. Had Chopin wanted to repeat in this bar the figures from the preceding one, he would have certainly marked it in an abridged manner with a •/• mark. According to us, the mistake is rather a result of copying the version of the preceding bar than a typical Terzverschreibung error, since the main condition for such a mistake is not met: the notes surrounded by a few parallel lines do not share a graphical resemblance – F is below the stave, whereas D under a ledger line, added and short (see, however, b. 72). category imprint: Differences between sources issues: Terzverschreibung error , Errors of FC |
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b. 32-33
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composition: Op. 25 No 1, Etude in A♭ major
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In the original version, written in AI, the bottom notes of the figuration in the R.H. doubled the melodic line – (e
In GE1 (→GE2), the 4th semiquaver in bar 33 is an f1 instead of d category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in GE , Terzverschreibung error , GE revisions , Deletions in A , Accompaniment changes |
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b. 32
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The version of EE is most probably a mistake of the engraver, a so-called Terzverschreibung. FE, on which EE is based, features the correct chord: b category imprint: Differences between sources issues: Errors in EE , Terzverschreibung error |
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b. 34
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, one can see that the last quaver in the top voice was originally a c2. The proofreading restored the version of Atut. category imprint: Source & stylistic information issues: Terzverschreibung error , Authentic corrections of FE |