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Issues : Errors in EE
b. 370-372
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composition: Op. 39, Scherzo in C♯ minor
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In the main text we present the GC undisputable notation. No accent in b. 372 is an obvious omission in EE, and long accents in GE result form not thorough enough analysis of the GC notation (the difference in accents lenghth in bars 360-368 and 370-374 was overlooked). Double accents in FE may have come form a reviser. category imprint: Differences between sources issues: Errors in EE , FE revisions |
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b. 374-376
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composition: Op. 21, Concerto in F minor, Mvt III
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The absence of the c1-f1 fourth in bar 376 is probably Chopin's oversight; he then added it while proofreading FE (FE1 added d category imprint: Differences between sources; Corrections & alterations issues: Errors in EE , Errors in GE , GE revisions , Authentic corrections of FE |
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b. 376-377
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composition: Op. 39, Scherzo in C♯ minor
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The tie on g category imprint: Differences between sources issues: Errors in EE , GE revisions |
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b. 391-392
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composition: Op. 39, Scherzo in C♯ minor
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No ties in EE must be an error. category imprint: Differences between sources issues: Errors in EE |
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b. 391
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composition: Op. 11, Concerto in E minor, Mvt I
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In EE2 (→EE3), there is no wedge next to the 1st quaver of the bar. It must be an accidental oversight, a side effect of the arbitrary change of pitch of that note – see the adjacent note. category imprint: Differences between sources issues: Errors in EE |