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Issues : Errors resulting from corrections
b. 47
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composition: Op. 23, Ballade in G minor
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On the available photograph of A, the notation of the bottom voice in the L.H. part is difficult to interpret and most probably erroneous. The authenticity of the version of FE (→GE,EE) is also uncertain; it could have resulted from the actions of the engraver of FE1. According to us, it is highly unlikely that Chopin would have wanted to shorten the duration of the bass note with respect to analogous b. 45 – such a shortening is practically imperceptible, particularly when using harmonic pedalling, which is natural in this context. Therefore, in the main text we give a text analogous to b. 45. category imprint: Graphic ambiguousness; Differences between sources issues: Errors resulting from corrections , FE revisions , Inaccuracies in A |
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b. 49
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composition: Op. 10 No 11, Etude in E♭ major
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Lack of c1 in the 5th chord is most probably a result of an oversight of the engraver of FE (→GE,EE). Although in FE there are visible traces of corrections in this chord, yet the a note was deleted, probably printed by mistake instead of f. In the main text we give the unequivocal version of A, compliant with analogous bar 48. category imprint: Differences between sources issues: Errors in FE , Errors resulting from corrections , Terzverschreibung error , Uncertain notes on ledger lines |
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b. 53
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composition: Op. 38, Ballade in F major
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In A the original beginning of the bar was the following: Chopin changed it then to the version offered by FE and EE: The above correction was also included in GC, however, in this copy Chopin himself changed this place one more time; the new version was printed on this basis in GE1 (→GE2). We consider this version as definitive with one reservation: we add a category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Errors resulting from corrections , GE revisions , Authentic corrections in GC |
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b. 53
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composition: Op. 28 No. 19, Prelude in E♭ major
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The change of pedal on the 3rd beat of the bar is an arbitrary addition of Fontana, who proofread FE1 in the absence of Chopin. He intervened due to the single category imprint: Interpretations within context; Differences between sources issues: Errors resulting from corrections , FE revisions , No pedal release mark , Fontana's revisions , Inaccuracies in A |
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b. 55
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composition: Op. 38, Ballade in F major
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In A (→GC,FE1) there are no accidentals in this bar. The e category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Errors resulting from corrections , Terzverschreibung error , GE revisions , Omission of current key accidentals , FE revisions |