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Issues : Errors repeated in FE
b. 21-22
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composition: Op. 28 No. 21, Prelude in B♭ major
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In these bars Chopin did not enter any accidentals into the L.H. part at all. All necessary flats were added in FC (→GE); they are also in EE. In turn, FE added accidentals only before the fifths that open the bars. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors of A , FE revisions , Fontana's revisions , Errors repeated in FE |
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b. 21
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composition: Op. 28 No. 19, Prelude in E♭ major
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In A (→FC,FE) there are no accidentals in the 2nd L.H. triplet. Out of the two necessary flats, in GE and EE only one was added, the one lowering g to g category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 21
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composition: Op. 28 No. 17, Prelude in A♭ major
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In FCI and A (→FE,FC→GE1) there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE |
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b. 21-29
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composition: Op. 28 No. 22, Prelude in G minor
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In the 2nd half of b. 21, A (→FC) places an unjustified category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Cautionary accidentals , FE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 22
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composition: Op. 21, Concerto in F minor, Mvt II
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None of the editions added the naturals returning f3 and f2 that Chopin overlooked in A. category imprint: Interpretations within context; Editorial revisions issues: Accidentals in different octaves , Errors in GE , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |