Issues : FE revisions
b. 310
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composition: Op. 2, Variations, complete
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The differences in the range of the hairpin resulted from routine revisions, adjusting the marks to rhythmic structures or beams – in GE1 (→GE2,EE,FE) on the left-hand side, while in FESB also on the right-hand side. The absence of the mark in GE3 is an oversight by the engraver. In the main text we reproduce the mark of A. category imprint: Differences between sources issues: Scope of dynamic hairpins , Errors in GE , GE revisions , FE revisions |
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b. 311
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composition: Op. 44, Polonaise in F♯ minor
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FE1 lacks both the raising e1 to e1 at the beginning of the bar, and the restoring e1 two quavers later. In EE1 only a before the 1st quaver was added, while in FE2 was also added only a , but before the 3rd quaver! Therefore, it was either misplaced or supposed to be a . The text of GE and EE2 (→EE3) is correct. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , Omission of current key accidentals , FE revisions , Errors repeated in EE |
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b. 313
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composition: Op. 21, Concerto in F minor, Mvt III
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The before the top note at the beginning of the bar in FE1 was overlooked. The mistake was corrected in FE2 (→EE). category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |
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b. 313
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composition: Op. 2, Variations, complete category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 317
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we adopt the newer form of this adverb, introduced in GE1 (we correct the erroneous 'o' at the end of the word to an 'e'). category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in GE , GE revisions , FE revisions |