Issues : Annotations in FED
b. 521
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composition: Op. 31, Scherzo in B♭ minor
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According to us, the placement of the hairpin under the L.H. chords in A was forced by lack of place over them: due to the notation of the topmost notes of the chords on the top stave, the mark must have been situated in a place already occupied by the R.H. slur and rests. It is confirmed by a teaching entry in FED, which we thus consider to be the most accurate expression of Chopin's intention. The hairpin of A was reproduced inaccurately both in FC and FE. In turn, the version of GE is close enough to the notation of A to be considered equivalent. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Annotations in FED , Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , Inaccuracies in FC |
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b. 521
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composition: Op. 31, Scherzo in B♭ minor
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FE overlooked the lowering c3 to c3. The mistake was rectified in EE and in two teaching copies, FED and FESf. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Annotations in FESf |
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b. 530
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composition: Op. 11, Concerto in E minor, Mvt I
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The absence of the tie of c4 must be a mistake (probably of the engraver of FE, although Chopin's oversight also cannot be excluded), which is proved by:
category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , GE revisions , Annotations in FEH |
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b. 533-534
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composition: Op. 31, Scherzo in B♭ minor
category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED |
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b. 558
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources |