Issues : Synchronization markings
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b. 75
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composition: Op. 21, Concerto in F minor, Mvt II
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The line indicating the moment of playing the first grace note (together with the bass note) was added – most probably by Chopin – in FED. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
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b. 79
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composition: Op. 28 No. 15, Prelude in D♭ major
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The marking indicating the way the roulade should be performed against the L.H. quavers was written in FED. This is one of several examples proving that this type of irregular groups can be performed rhythmically freely, emphasizing the motivic structure of the run. Another such sign can be found, e. g. in the Nocturne in B category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
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b. 84-85
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composition: Op. 28 No. 15, Prelude in D♭ major
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FED contains synchronization marks in the R.H. part, which indicate that the semibreves are to be performed simultaneously with the minims at the beginning of the bar. The need for such an indication resulted from the placement of those semibreves, repeated after A, i.e. in the middle of the bars – we reproduce that notation in the graphical transcription (version "transcription"). See also the note on b. 87. category imprint: Source & stylistic information issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
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b. 123
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composition: Op. 64 No 1, Waltz in D♭ major
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The sign added in FED, indicating the manner of synchronising the grupetto in the R.H. with the accompaniment in the L.H., means that the first 18 notes of the grupetto are to be understood as quaver triplets, whereas the last six – as normal quavers, as in bars 35 and 107. It is unknown whether it was the only performance option accepted by Chopin. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
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b. 138
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composition: Op. 12, Variations in B♭ major
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The poorly visible lines, most probably indicating the moment the roulade should start with respect to the L.H. part, were entered – most probably by Chopin – into FEO. category imprint: Graphic ambiguousness; Differences between sources issues: Annotations in teaching copies , Synchronization markings , Annotations in FEO |
minor, Op. 9 No. 1, bar 3, also included in Ms. Dubois's copy.
