Issues : Synchronization markings

b. 27

composition: Op. 21, Concerto in F minor, Mvt III

Synchronization sign written into FED

No teaching indication

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The synchronisation sign, ordering playing the first grace note with the bass simultaneously, is present in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Synchronization markings

b. 32

composition: Op. 24 No. 4, Mazurka in B♭ minor

A synchronization mark in FED

No visual hint provided

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Synchronization markings

b. 33

composition: Op. 27 No 2, Nocturne in D♭ major

A synchronization mark entered in FED

No performance suggestion provided

category imprint: Differences between sources

issues: Annotations in FED , Synchronization markings

b. 35-36

composition: Op. 27 No 2, Nocturne in D♭ major

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Written into FES are six signs showing the rhythmic relation between the two hands more precisely. As the source notation contains no  ambiguities here, the signs are simply learning tips for the pupil to be used during lessons. Cf. bars 38-40.

category imprint: Differences between sources

issues: Synchronization markings , Annotations in FES

b. 36

composition: Op. 27 No 2, Nocturne in D♭ major

A synchronization mark written into FED

No tip provided

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Another mark in FED  indicating that the grace note should be performed simultaneously with the bass note.

category imprint: Differences between sources

issues: Annotations in FED , Synchronization markings