Page: 
Source: 
p. 1, b. 1-26
p. 1, b. 1-26
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Main text
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Pedalling
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A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 13-14

Pedalling in A (→FCGE, →FEEE)

Pedalling in CGS

In CGS the  marks were written very inaccurately – by the end of each of the semiquaver groups. Moreover, the first  mark was also omitted. It was most probably related to the lack of space under the bottom stave due to the low-placed beams (except for GE, in the sources the semiquaver stems are pointing downwards). It seems that the copyist cared more about an aesthetic entry in an album than about the precise placement of indications, which she could have considered obvious. 

Compare the passage in the sources »

category imprint: Differences between sources

issues:

notation: Pedalling

Missing markers on sources: CGS, A, FC, EE1, EE2, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1a