Page: 
Source: 
p. 2, b. 29-47
p. 1, b. 1-28
p. 2, b. 29-47
p. 3, b. 48-59
A - Autograph
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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copy link PDF A - Autograph


  b. 36

in sources

 suggested by the editors

The  asterisk under the last quaver in the bar is probably Chopin's mistake. In the next bar a  mark, entered into A also under the last quaver, was later crossed out and put under the 3rd quaver, as it is in all the remaining bars of this progression (b. 33-35 and 38).
According to us, Chopin probably wanted to introduce longer pedals for them to correspond with the advancing crescendo; however, he eventually gave up this idea and left the mark in the discussed bar by inadvertence. 

Compare the passage in the sources »

category imprint: Interpretations within context; Editorial revisions

issues: Omitted correction of an analogous place

notation: Pedalling

Missing markers on sources: A, FC, EE1, EE2, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1a