Page: 
Source: 
p. 20, b. 432-468
p. 1
p. 2
p. 3
p. 4, b. 1-28
p. 5, b. 29-45
p. 6, b. 46-70
p. 7, b. 71-95
p. 8, b. 96-117
p. 9, b. 118-143
p. 10, b. 144-173
p. 11, b. 174-205
p. 12, b. 206-229
p. 13, b. 230-247
p. 14, b. 248-269
p. 15, b. 270-295
p. 16, b. 296-324
p. 17, b. 325-356
p. 18, b. 357-395
p. 19, b. 396-431
p. 20, b. 432-468
p. 21
p. 22
GE1 - First German edition
Main text
FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
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Differences
No differences
FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
Importance
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Important
Main
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copy link PDF GE1 - First German edition


  b. 443

Slur in FE (→EE), literal reading

Tie to a1 (contextual interpretation of FE)

No slur/tie in GE

The ambiguous curved line of FE (→EE) combines the last note of bar 443 (c2) with the top note of the first chord in bar 444.  According to us, the most likely interpretation of that curved line is a tie of the a​​​​​​​1 crotchet – Chopinesque ties were often erroneously interpreted by the engravers in a similar manner – and this is the interpretation we adopt to the main text. In GE, the curved line was omitted, perhaps due to interpretation difficulties. 

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: Errors in GE

notation: Slurs

Missing markers on sources: FE1, FEJ, GE1, GE2, EE1, EE2, EE3