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Source: 
p. 16, b. 296-314
p. 1
p. 2
p. 3, b. 1-30
p. 4, b. 31-62
p. 5, b. 63-90
p. 6, b. 91-109
p. 7, b. 110-127
p. 8, b. 128-147
p. 9, b. 148-165
p. 10, b. 166-187
p. 11, b. 188-216
p. 12, b. 217-232
p. 13, b. 233-250
p. 14, b. 251-274
p. 15, b. 275-295
p. 16, b. 296-314
p. 17, b. 315-335
p. 18, b. 336-348
GE1 - First German edition
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Graphic ambiguousness
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Articulation, Accents, Hairpins
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½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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copy link PDF GE1 - First German edition


  b. 305

Crotchet c1 in A (literal reading→GEFEEE)

No crotchet in A (contextual interpretation)

The alleged additional crotchet stem next to cvisible in A is, according to us, an exceptionally imposing trace of Chopin's reflex at the time of writing notes on ledger lines. In order to secure visibility of such a note, the composer would give the note head the shape of a vertical line – see analogous note in bar 303. Sometimes, particularly when writing in haste (as in this case), the lines were long enough to look like a crotchet stem pointing downwards (a slightly shorter line in bar 301 did not mislead the engraver). See also the Etude in F major, Op. 10 No. 8, bars 4-7

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Uncertain notes on ledger lines, Inaccuracies in A

notation: Pitch

Missing markers on sources: GE1, A, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3