Page: 
Source: 
p. 1, b. 1-14
p. 1, b. 1-14
p. 2, b. 15-30
p. 3, b. 31-46
p. 4, b. 47-62
p. 5, b. 63-78
p. 6, b. 79-95
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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copy link PDF A - Autograph


  b. 4-7

These bars, making up the second line of A, contain a few distinct examples of Chopin's manner of writing notes on ledger lines. With the visibility of such a note probably in mind the composer shaped the note-head as a short vertical stroke which sometimes was extended enough to look like an additional downward crotchet stem. In the discussed bars it pertains to R.H. c1 in bars 4-6, as well as c1 and a in bar 7. Telling are in particular the notes in bars 5 and 7, where the descending direction of arpeggios makes any sustentions impossible.

Compare the passage in the sources »

category imprint: Source & stylistic information

issues: Uncertain notes on ledger lines

notation: Rhythm

Missing markers on sources: FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4