Page: 
Source: 
p. 3, b. 1-20
p. 1
p. 2
p. 3, b. 1-20
p. 4, b. 21-38
p. 5, b. 39-73
p. 6, b. 74-89
p. 7, b. 90-114
p. 8, b. 115-175
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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copy link PDF A - Autograph


  b. 12

A

FE

GE1

GE2 (→GE3GE4)

EE

Our suggestion

Chopin added the staccato dot over e and stems extending the sound of g1 on the 2nd and 4th quavers in the L.H. in the proofreading of FE1 (→FE2). We consider this correction, repeated in bar 60, to be intentionally referring to the return of the main section of the Polonaise too (bars 116 and 164), as in A it was only signalised as repetition of the first section.
According to us, extending the top notes of the third only is either a simplified notation or a result of misunderstanding of Chopin's proofreading entry. Therefore, in the main text we assign the crotchet stems to both notes of the e1-gthird. The versions of the remaining editions are either inaccurate (EE1) or arbitrarily changed (GE).

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

notation: Rhythm