mUltimate Chopin

Op. 10 No 9, Etude in F minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 17-32
p. 1, b. 1-16
p. 2, b. 17-32
p. 3, b. 33-50
p. 4, b. 51-67
GE1 - First German edition
Main text
AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Important
Main
Undo Clear
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copy link PDF GE1 - First German edition

  b. 31

4 staccato dots in A (→FE→GE1)

3 staccato dots in EE & GE2 (→GE3→GE4)

The dot over the last octave is, according to us, Chopin's mistake in A (→FE→GE1) – cf. the analogous motif in bar 59. The dot was removed in EE and GE2 (→GE3→GE4). In AI there are no indications in this bar.  

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues:

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, A, AI, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4, EE3, EE4
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