Articulation, Accents, Hairpins
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b. 7-8
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composition: Op. 10 No 9, Etude in F minor
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The indications of AI do not take into consideration the relations of this bar – agogic and dynamic – with the next bar and subsequent phrase. category imprint: Differences between sources |
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b. 7-11
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composition: Op. 10 No 9, Etude in F minor
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The incomplete staccato indications in A were added in a proofreading of FE (→GE,EE). What is interesting is the fact that all dots are also in AI. category imprint: Differences between sources issues: Authentic corrections of FE , Inaccuracies in A |
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b. 8
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composition: Op. 10 No 9, Etude in F minor
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From the graphic point of view, it is hard to consider the accent in A as long, however, it cannot be excluded that in this place the composer's intention is rendered better by the sign of AI. category imprint: Differences between sources issues: Long accents |
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b. 17
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composition: Op. 10 No 9, Etude in F minor
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AI is missing the category imprint: Differences between sources |
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b. 18
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composition: Op. 10 No 9, Etude in F minor
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According to us, in the final version the accents of AI were replaced with a slur and cresc. indication, which was an expression of the change of the phrase's performance concept in bars 17-20. category imprint: Differences between sources; Corrections & alterations |
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