![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Authentic corrections of FC
b. 5-13
|
composition: Op. 30 No. 1, Mazurka in C minor
..
The contrasting dynamic indications in bars 5, 9 and 13 were most probably added to FC by Chopin, as were many other markings (e.g. dynamic hairpins or accents). However, one has to emphasise that these marks, although their shape is the same as of some undoubtedly Chopinesque ones (e.g. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Authentic corrections of FC |
||||||||
b. 7-15
|
composition: Op. 30 No. 1, Mazurka in C minor
..
The category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Authentic corrections of FC |
||||||||
b. 8-9
|
composition: Op. 30 No. 1, Mazurka in C minor
..
In the main text we suggest a modified version of the slurring with which Chopin replaced in FC the slur/tie as visible in FE. We justify the extension of the slur encompassing the sequence of thirds with the fact that dragging a slur led over the thirds to d1-f1 at the beginning of bar 9 was difficult in the manuscript (due to the lack of space under the tie to g1) and presented a risk of the notation becoming overcomplicated. category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: Authentic corrections of FC |
||||||||
b. 8-16
|
composition: Op. 30 No. 1, Mazurka in C minor
..
The accent in bar 8 entered into FC is undoubtedly a long accent. Therefore, it allows us to consider the less unambiguous accent placed in a similar context in bar 16 to be long too. Both marks were almost certainly added by Chopin. In GE all accents in this Mazurka are more or less of the same length, and we reproduce them as short. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Authentic corrections of FC |
||||||||
b. 16-17
|
composition: Op. 30 No. 1, Mazurka in C minor
..
In the main text we give the continuous FC (→GE) slur, since in this manuscript one can see that the slur ending initially over the g1 semiquaver in bar 16, as it is in FE, was prolonged over bar 17 and further. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |