In the main text we give the hairpin entered most probably by Chopin into FC. We consider the top arm to be reliable, corresponding to the range of an analogous mark in bar 26. In GE the mark was led to the c2 quaver ending the bar, which suggests a longer crescendo than the one resulting from the Chopinesque entry.
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category imprint: Differences between sources
issues: Inaccuracies in GE, Scope of dynamic hairpins, Authentic corrections of FC
notation: Articulation, Accents, Hairpins