Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 2, Variation IV, primitive version
In AsI, in the 1. volta of this bar, the last 2 hemidemisemiquavers in the 4th R.H. passage are written as c2-a1. This is Chopin's mistake that remained uncorrected – cf. bar 8 (2. volta), in which the same mistake was corrected. Probably while drafting this place, Chopin initially planned to use an F major chord before writing a new version, based on a B major chord, only in the L.H. part, which required more serious alterations, that is change of the bass note and the passage position.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
notation: Pitch