A
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b. 18-22
As in the initial fragment of this variation – see bars 1 and 5 – the initial version of bars 18 and 22 keeps the position of the arpeggio-like figures, which, combined with the melody semiquavers, results in greater leaps.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: Accompaniment changes
notation: Pitch