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p. 16, b. 192-207
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We provide the version that Chopin enhanced while proofreading FE. Moving the horn motif an octave higher could have been aimed at avoiding a false relation: f in bar 205 with f1 at the beginning of bar 206. Moreover, the composer could have also wanted to avoid the clash – quite monotonous on the piano – with an identical motif ending the bassoon phrase.
Compare the passage in the sources»
category imprint: Differences between sources; Corrections & alterations
issues: Accompaniment changes, Authentic corrections of FE, Main-line changes
notation: Pitch
Missing markers on sources:
AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1