Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
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Op. 2, Variations, complete
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In the main text we include the staccato marks on the 4th beat of the bar, added in GE (→FE,EE,FESB). It is noteworthy that in A Chopin added the staccato indication after eight semiquavers, which suggests that he considered that the 4th beat of b. 39 (and most probably of b. 35 too), identical to the third one, would naturally "inherit" the articulation markings of the preceding one. Therefore, although the authenticity of the very marks is not entirely certain, the authenticity of the articulation they indicate absolutely is.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: GE revisions, Authentic corrections of GE
notation: Articulation, Accents, Hairpins