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Issues : Corrections in A
b. 9
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composition: Op. 2, Variations, complete
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In A one can see traces of erasure of a category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 14
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composition: Op. 2, Variations, complete
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The traces of erasure visible in A reveal that Chopin initially inserted the category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Long accents , Corrections in A , GE revisions |
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b. 22
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composition: Op. 2, Variations, complete
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In A one can see traces of a correction concerning the range and placement of the slur; initially, it began from the grace notes and was placed under the notes. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 35-36
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composition: Op. 2, Variations, complete
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Although the "nonchalant" chromatic notation of A – at least 4 accidentals in the R.H. are missing as well as 7 in the L.H. – does not lead to any textual doubts, it requires to be completed, which was already performed, to a certain extent, in the first editions. Taking into account the manner (different from ours) in the case of the R.H. part on the 4th beat of b. 35, the accidentals on the top stave were already ordered in GE1, including the addition of a cautionary category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: Accidentals in different octaves , Corrections in A , Cautionary accidentals , Inaccuracies in A |
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b. 40-41
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composition: Op. 2, Variations, complete
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In addition to the category imprint: Editorial revisions; Corrections & alterations issues: EE revisions , Corrections in A , Errors resulting from corrections , Errors of A |