![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Last key signature sign
b. 43-44
|
composition: Op. 2, Variations, complete
..
As in b. 35-36 and 39-40, in the manuscripts Chopin overlooked some of the necessary accidentals, in this case only flats. AsI lacks a category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Last key signature sign , Inaccuracies in A |
|
b. 87
|
composition: Op. 2, Variations, complete
..
In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions |
|
b. 150
|
composition: Op. 2, Variations, complete
..
In the main text we omit the unjustified category imprint: Differences between sources; Editorial revisions issues: Last key signature sign |
|
b. 255
|
composition: Op. 2, Variations, complete
..
Both in the last L.H. chord and in the R.H. arpeggio on the 4th beat of the bar, neither AsI nor Af nor A (→GE1→FE,EE) contain accidentals before g/g
The decisive argument for g is provided by the orchestral part – there is a g note in the 2nd violins, and the violins could not play g The first edition to add naturals was GE2 (→FESB), 4 accidentals in total raising g category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Errors of A , Last key signature sign |
|
b. 256
|
composition: Op. 2, Variations, complete
..
In the manuscripts there are no accidentals in the second triplet (on the 3rd beat of the bar). In the main text we include both added flats – perhaps by Chopin in GE (→FE,EE) – although it is only the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Authentic corrections of GE , Last key signature sign |