Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 191

composition: Op. 2, Variations, complete

..

We add cautionary flats before e1 and e2. The accidentals were also added in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 191

composition: Op. 2, Variations, complete

..

It is from this bar that the preserved record of this variation begins in AF. There are no performance indications in this manuscript, on which we do not comment in the notes referring to the particular markings.

category imprint: Differences between sources

b. 192-207

composition: Op. 2, Variations, complete

..

In AsI these bars are almost devoid of performance indications, on which we do not comment further on. The only markings are the two slurs over the semiquaver triplets in b. 204, which are not strictly performance indications; rather, they are part of the triplet markings.

The solo part is also devoid of markings in Af.

category imprint: Differences between sources

b. 192

composition: Op. 2, Variations, complete

Quavers in AsI

Semiquavers & demisemiquavers in A (→GEFE,EE)

..

In the second half of the bar, AsI has the original, simplest variant of this motif, the same as in bar 176 of the final version.

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Main-line changes

b. 192

composition: Op. 2, Variations, complete

..

As the last demisemiquaver, FE erroneously has the octave a-a1.

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE