Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Articulation, Accents, Hairpins
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Articulation, Accents, Hairpins

b. 45-46

composition: Op. 2, Variations, complete

Long accents in A (→GEFE)

Short accents in EE & FESB

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents , EE inaccuracies , Inaccuracies in FESB

b. 46

composition: Op. 2, Variations, complete

Wedge in A (→GEEE)

Wedge after A (→GEEE)

No mark in FE & FESB

..

The lack of a wedge is probably an oversight by the engravers of FE and FESB.

category imprint: Differences between sources

issues: Errors in FE ,

b. 47-48

composition: Op. 2, Variations, complete

Vertical accents in AsI

Different accents in A (→GE1GE2)

Short accents in FE

Short accents in EE

Long accent in b. 48 in FESB

Long accents in GE3

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: Long accents , Inaccuracies in GE , Inaccuracies in FE ,

b. 47-49

composition: Op. 2, Variations, complete

Wedges in A (→GEFE,EE)

No marks in FESB

..

FESB omitted all staccato marks in these bars – 5 in the L.H. part, 1 in the R.H. part – which is clearly an error.

category imprint: Differences between sources

issues:

b. 49

composition: Op. 2, Variations, complete

Long accent in A (→GE)

Short accent in FE (,EE & FESB

category imprint: Differences between sources

issues: Long accents , Inaccuracies in FE , EE inaccuracies , Inaccuracies in FESB