



Fingering
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b. 105
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composition: Op. 2, Variations, complete
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The fingering added in GE2 (→FESB), whose authenticity is, after all, questionable, must be erroneous in this case. However, it is uncertain whether the mistake consisted in printing a wrong digit (2 instead of 4) or in switching the order of digits (2-1 instead of 1-2). GE3 applied the latter. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 114
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composition: Op. 2, Variations, complete
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In the main text we do not include the fingering of AsI due to the change of the rhythmic value of the b category imprint: Differences between sources; Corrections & alterations |
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b. 114-115
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composition: Op. 2, Variations, complete
..
In AsI, in both bars, Chopin added a fingering with pencil; in b. 114 it was already a second version of fingering, replacing the earlier ink entry. In the main text we include the later version; as alternative solutions, we suggest the earlier version or both in a variant form. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Differences in fingering |
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b. 142
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composition: Op. 2, Variations, complete
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In A the last fingering digit in the 1st half of the bar concerning the R.H. (over f2) is 3, whereas GE1 printed there a 2 (by mistake). The mistake was corrected in all editions based on GE1 – in GE2 (→GE3) and FE the digit 3 was restored, while in EE the erroneous digit was removed. category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions , Authentic corrections of FE |
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b. 186
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composition: Op. 2, Variations, complete
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In this place, the fingering added by GE2 (→GE3,FESB) is compliant with Chopin's preference – cf., e.g. the fingering of the repeated notes entered into the pupils' copies of the Waltz in E category imprint: Differences between sources issues: GE revisions , Authentic corrections of GE |
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