



Slurs
b. 364-365
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composition: Op. 2, Variations, complete
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The range of the slur is not entirely clear in A, yet the slur goes beyond the bar line and points to the G category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
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b. 375
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composition: Op. 2, Variations, complete
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The slur starting earlier in GE1 (→FE,EE,GE2→FESB) must be a mistake by the engraver of GE1, corrected in GE3, probably on the basis of a comparison with the L.H. slur and with bar 376. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 376-377
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composition: Op. 2, Variations, complete
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The missing L.H. slur probably resulted from lack of space in GE1. It does not really matter, since Chopin himself would often write only one slur over parts of both hands written down together on one stave, considering it to be valid for both hands – cf., e.g. the Ballade in G minor, Op. 23, bars 1-5. category imprint: Differences between sources issues: Errors in GE |
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b. 376-377
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composition: Op. 2, Variations, complete
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In GE (→EE) the slur starting in bar 376, which ends a line, clearly suggests that it should be continued; however, there is no ending thereof in bar 377. In FE and FESB the slur was led only to the last semiquaver in bar 376, interpreting the notation of GE as an inaccurate ending of the slur. We interpret it similarly in the content transcription of GE and EE. category imprint: Graphic ambiguousness; Differences between sources |
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b. 376
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composition: Op. 2, Variations, complete
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When interpreted literally, the R.H. slur starts in A from the 4th semiquaver in the bar. It must be an inaccuracy (cf. the L.H. slur), probably caused by ink stoppage. It was already in GE1 that this situation was evaluated properly, hence in all editions the range of this slur is correct. category imprint: Differences between sources issues: Inaccurate slurs in A |