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Issues : EE revisions
b. 299
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composition: Op. 2, Variations, complete
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In the main text we add cautionary naturals to g1, a1 in the R.H. and to a, A in the L.H. AsI contains two of them, before a1 and A, while category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 309
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composition: Op. 2, Variations, complete
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Single category imprint: Differences between sources; Editorial revisions issues: EE revisions , No pedal release mark , Inaccuracies in A |
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b. 315
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composition: Op. 2, Variations, complete
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In the main text we keep the two staccato dots visible in A over the f notes opening the semiquaver triplets. The fact that the first one was omitted in GE (→FE) most probably resulted from lack of space under the R.H. b category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions , Wedges |
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b. 323-326
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composition: Op. 2, Variations, complete
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We give the staccato marks in bar 323 (along with the 1st quaver in bar 324) and in bar 326 in the main text after A, although in this case they are not completely consistent:
The versions of the editions, with wedges only, must be arbitrary; what is more, they are incomplete – in GE1 (→GE2→FESB) the marks were reproduced only at the beginning of bar 323 and in bar 326 (in FE and GE3 some of them were also overlooked). In EE the marks on the 2nd and 3rd beats of bar 326 were overlooked, while wedges were added at the beginning of bar 324 and in the L.H. in bar 326. category imprint: Differences between sources issues: EE revisions , GE revisions , Wedges |
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b. 327
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composition: Op. 2, Variations, complete
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In GE1 (→FE1,EE1→EE2) there are no accidentals to the fifth on the 2nd quaver in the bar, which would result in B category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in GE , GE revisions , Authentic corrections of FE , FE revisions , Errors repeated in FE , Errors repeated in EE |