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Issues : EE revisions
b. 270
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composition: Op. 2, Variations, complete
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In this entire bar, in AsI and A there is only one category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 273
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composition: Op. 2, Variations, complete
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The second note in the L.H. part in AsI, A (→GE→FE) and EE3 is a dotted quaver, as a result of which the bar is a semiquaver too short. In the full, orchestral version of this tutti, the cello (and bassoon) phrase starts from the beginning of the bar with a dotted crotchet, which could have suggested to Chopin that it was also in the version for one piano, after shifting the beginning to the 2nd quaver, that the new value should be dotted. The mistake, easy to detect, was noticed and corrected only by FESB. By contrast, in EE1 (→EE2) the dot prolonging this note was left out – it could have been a failed attempt at correcting this mistake. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE , Rhythmic errors , Errors of A , Errors repeated in GE , Errors repeated in FE , Revisions in FESB |
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b. 273
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composition: Op. 2, Variations, complete
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In EE the instrument indication was changed: from the Chopinesque "Cello" to "V-llo", which, of course, denotes the same instrument. In FESB the marking reads "Collo", which is a mistake. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE |
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b. 274
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composition: Op. 2, Variations, complete
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A version of FE in which R.H. quavers on the 2nd beat do not include the f notes is most likely the result of Chopin's correction of its Stichvorlage, i.e. a copy of GE1. This version, which does not suggest striking these notes with both hands simultaneously, is given in the main text. A similar adjustment was made in EE, but there is no suggestion that Chopin had any influence on the text of this edition. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Accompaniment changes , Authentic corrections of FE , Revisions in FESB |
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b. 277
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composition: Op. 2, Variations, complete
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Neither AsI nor A (→GE→FE1,EE,FESB) include an accidental to the 7th semiquaver. The F major chord underlying this place is, however, thanks to the C7 chords present directly both before and after it, temporarily the tonic, which requires the use of e2, and not e category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Authentic corrections of FE |