Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 2, Variations, complete
The version in which the last f1 of the upper voice is a quaver comes from the later of the two versions of the orchestral introduction recorded in #ApI – see bars 1-8. This is a holdover from the earlier version that ends with the motif g1-f1 in the 
rhythm. In the main text we provide the final version of A and the first editions.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
notation: Rhythm
