FE
Main text
AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
compare
  b. 207

4 wedges on 2nd & 3rd quaver in A

4 wedges on 2nd & 3rd quaver after A

4 wedges after A & FE

5 wedges in GE (→EE)

5 wedges after GE (→EE)

5 wedges after GE (→EE)

Wedge on 2nd R.H. quaver and 3 L.H. wedges in FE

Wedge on 2nd R.H. quaver and 3 L.H. wedges after FE

2 L.H. wedges in FESB

2 L.H. wedges after FESB

The additional wedge in GE is, according to the editors, most likely a mistake by the engraver of GE1 – there is no reason why Chopin's possible addition of marks should only apply to the L.H. In turn, omission of the last R.H. wedge in FE is probably a side effect of the correction of the pitch of this quaver – see the adjacent note. The absence of 3 out of 5 wedges in FESB is most likely the result of the carelessness of the engraver of this edition. In the main text we provide wedges according to A, taking into account Chopin's correction of the last quaver introduced in FE.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in FE, Errors resulting from corrections, GE revisions,

notation: Articulation, Accents, Hairpins

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