Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 2, Variations, complete
It is difficult to say whether Chopin consciously omitted the dynamic hairpins emphasising the line of this brilliant passage while writing A. Perhaps their omission should be linked to the change of 
to 
at the beginning of bar 365 – see the respective note. According to us, 
and 
marks can be included regardless of the general dynamic level.
As in the previous bar, we place the hairpins of AsI between the staves.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
notation: Articulation, Accents, Hairpins
