|
2 quavers e |
|
|
2 quavers e |
|
|
Semiquaver, demisemiquaver & quaver e |
|
|
||
|
e |
|
|
Completed FE version suggested by the editors |
In the main text we give a version with e
1 repeated at the end of the bar, introduced almost certainly by Chopin in the stage of proofreading FE. At the same time, we add a dot prolonging the a1 semiquaver, since the different values of the components of the a1-d2 fourth, neither musically nor pianistically justified, may be a result of inaccurately implemented proofreading corrections.
In GE1 (→EE) a dot prolonging the e1 crotchet played in the middle of the bar was added. The patent mistake was corrected by GE2 (→GE3,FESB), but not by FE.
In AsI, in b. 182' (the second record of this bar) there are two versions – the principal one, written in clear, normal-sized script, and the alternative one, superimposed on the previous one in a draft form.
A few authentic versions of this place show that Chopin changed his mind on the repetition of e1 in the 2nd half of the bar twice – in AsI (all versions) on the 4th quaver in the bar, in A without repetition, in FE at the end of the bar.
In the provided variants we also included the different values of the last two R.H. notes – semiquavers in AsI (version of b. 182), dotted rhythm in all the remaining versions.
There is a similar situation in b. 198.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information
issues: Errors in GE, GE revisions, Accompaniment changes, Authentic corrections of FE
notation: Rhythm