Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 2, Variations, complete
The dynamic markings in this tutti differ from the majority of the remaining ones, particularly in the discussed bar, in the 2nd half of which there is a short diminuendo (
), absent in all analogous bars. However, such a hairpin is present in similar motifs in b. 96, 200 and 240, always preceded by a 
mark. Due to the above, in the main text we suggest adding such a crescendo.
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category imprint: Editorial revisions
notation: Articulation, Accents, Hairpins
