GE1
Main text
AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
compare
  b. 208-211

4 staccato dots in A

32 wedges in GE (→FE,EE)

32 wedges & dots suggested by the editors

The addition of markings to the L.H. part seems justified and could be coming from Chopin as such. According to us, however, it does not mean that the dots entered into A should be changed to wedges – the markings added in a proof copy (perhaps by Chopin) were either misinterpreted or the person who added them (perhaps Chopin) used wedges to match the already printed wedges. Therefore, in the main text we include the added markings; however, we keep the differences between them modelled after the authentic markings in the R.H. part and in a certain sense confirmed by the L.H. dots in A in bar 208.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions, Authentic corrections of GE, Wedges

notation: Articulation, Accents, Hairpins

Go to the music

.