Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 2, Variations, complete
As in previous analogous sequences, Chopin did not see the reason to write accidentals to the topmost notes of the ascending triplets. In GE1 (→FE,EE) only 2 sharps in bar 328 were added, c
3 and g3, while in GE2 (→GE3,FESB) a 
to e3 was also added. The two necessary sharps in bar 327 were added only in GE3 and FESB.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Accidentals in different octaves, GE revisions, FE revisions
notation: Pitch
