Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 2, Variations, complete
As in many similar situations, in A the majority of the necessary accidentals are missing – Chopin wrote accidentals only to the 2nd quaver in bar 329 (e2-e3-g
3-e4) and the next semiquaver (b3), the penultimate semiquaver in bar 329 (b1), the bottom note of the 2nd triplet in bar 330 (g) and the bottom note of the 6th triplet in bar 330 (d1). Assuming that the accidentals of the first two-quaver figure of the passage are also valid in the second one, all necessary accidentals were already added in GE1 (FE,EE,GE2→FESB,GE3). In FE a 
to e2 on the 4th L.H. quaver in bar 329 was also added.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Accidentals in different octaves, GE revisions, Omission of current key accidentals, FE revisions
notation: Pitch
